At international sporting events there are often unusual episodes related to the singing of national anthems reflecting the political and cultural characteristics of different countries.
Before a match between England and Northern Ireland in 2008, fans from Scotland’s Tartan Army booed England’s anthem “God Save the Queen”. The Scottish Football Association apologized for the incident and the Scottish Government regretted the fans’ actions.
The opening ceremony of the 2015 European Games in Baku featured an impressive performance incorporating elements of Azerbaijani culture. Alim Gasimov performed mugham, and Nargiz Nasirzadeh walked across the stage holding a sameni – the symbol of Novruz. Gradually, a mountain rose from the ground and then the torch of the first European Games was lit, symbolizing the unity and rich cultural heritage of the region.
Three anthems were sung at Croke Park Stadium before the Ireland-England match in 2007: “The Soldier’s Song” (Ireland’s anthem), ‘God Save the Queen’ (Great Britain’s anthem) and ‘Ireland’s Call’ (Ireland’s alternative anthem). The fans, many of whom were moved to tears, sang all three anthems in unison, demonstrating unity and mutual respect between the nations.
The British anthem “God Save the Queen” was played at Irish rugby matches until 1921. After the formation of the Irish Free State, the question of an anthem for the joint Irish team arose. In 1926, “The Soldier’s Song” began to be played at matches in the independent part of the island, while the British anthem continued to be used in Northern Ireland. In 1995, “Ireland’s Call”, created by composer Paddy Malham, was introduced to unite fans and players from both parts of the island.
These cases highlight how the playing of anthems in international arenas can reflect complex political and cultural relationships, as well as demonstrate a desire for unity and understanding between different peoples.
